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	<title>Comments on: Avatar in Black and White</title>
	<atom:link href="http://candleboy.com/2009/12/19/avatar-in-black-and-white/feed/" rel="self" type="application/rss+xml" />
	<link>http://candleboy.com/2009/12/19/avatar-in-black-and-white/</link>
	<description>The online journal of Vermont filmmaker, Bill Simmon.</description>
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		<title>By: Alex C</title>
		<link>http://candleboy.com/2009/12/19/avatar-in-black-and-white/comment-page-1/#comment-1865</link>
		<dc:creator>Alex C</dc:creator>
		<pubDate>Tue, 05 Jan 2010 23:51:52 +0000</pubDate>
		<guid isPermaLink="false">http://candleboy.com/?p=403#comment-1865</guid>
		<description>Meh. Smurfs are not just blue, they&#039;re tiny and plump, not ten feet tall with 8&quot; waists; and elves rhymes with wolves. I declare memetic victory!</description>
		<content:encoded><![CDATA[<p>Meh. Smurfs are not just blue, they&#8217;re tiny and plump, not ten feet tall with 8&#8243; waists; and elves rhymes with wolves. I declare memetic victory!</p>
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		<title>By: billsimmon</title>
		<link>http://candleboy.com/2009/12/19/avatar-in-black-and-white/comment-page-1/#comment-1864</link>
		<dc:creator>billsimmon</dc:creator>
		<pubDate>Tue, 05 Jan 2010 06:46:25 +0000</pubDate>
		<guid isPermaLink="false">http://candleboy.com/?p=403#comment-1864</guid>
		<description>The joke I&#039;ve seen most often is &quot;Dances With Smurfs.&quot;</description>
		<content:encoded><![CDATA[<p>The joke I&#8217;ve seen most often is &#8220;Dances With Smurfs.&#8221;</p>
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		<title>By: Alex C</title>
		<link>http://candleboy.com/2009/12/19/avatar-in-black-and-white/comment-page-1/#comment-1863</link>
		<dc:creator>Alex C</dc:creator>
		<pubDate>Tue, 05 Jan 2010 06:20:40 +0000</pubDate>
		<guid isPermaLink="false">http://candleboy.com/?p=403#comment-1863</guid>
		<description>SPOILERS AHEAD

I too cringed at &quot;unobtainium,&quot; and in a faint echo of Bill, I remarked to my mom on the walk to the car, &quot;They may as well have called it Kryptonite.&quot; That and the occasional line of hackneyed cartoon dialogue (&quot;Noooooo...!&quot;, &quot;Git it done,&quot; etc.) were my second and third biggest problems with the film, and when they occurred it temporarily severed my suspension of disbelief, snapping me back to the harsh, dark, sticky-floored reality of Majestic Ten Cinemas.

My biggest problem was the glaring plot hole of the humans&#039; tactics. I mean, really: _Aliens_ was the film that put &quot;I say we nuke the site from orbit. It&#039;s the only way to be sure&quot; into the popular lexicon; has Cameron ever seen that film? Even assuming the forward base had no big armaments, the thrilling conclusion has bought the Blueskins six years, maybe twelve at the most, before the Company sends a fleet in to annihilate the entire ecosystem from 100,000 klicks away and build a radiation-shielded mining base in the glowing crater. I would have appreciated a bit of throwaway closing dialogue about how the Gaiacomputer is working on evolving an orbital defense grid or something along those lines.

I really liked the technological continuity. Many sci-fi films will take a mechanism like Avatar&#039;s mind control and then plaster on some implausible side effects to make it more consistent with the author&#039;s mystical idea of astral projection. (Cf. The Matrix: &quot;The body cannot live without the mind.&quot; Uh, yeah, what medical school did *you* go to, Dr. Morpheus? Ever heard of a vegetative state? Well, just watch the Matrix sequels and you&#039;ll enter one.) But Cameron actually took the stipulated technical details and used them to emphasize a dramatic moment (the bulldozer scene; the colonel grabbing a deep breath or a mask before combat) rather than treating them as an inconvenience. And evolutionary implausibility aside, Cameron&#039;s Gaia-As-Supercomputer conceit worked *so* much better than Lucas&#039; Force-As-Mitochondria one.

Along those lines there was a missed scifi opportunity with the tech of the Gaia version of mind transfer: after someone&#039;s consciousness is copied, why would the original body die? Or rather, why wouldn&#039;t it stay alive? Maybe just for long enough to see the New Blue You wake up and stride away, leaving you behind with a dwindling air supply and gimp legs...

Oh, and just in case nobody else has made this joke, let me rechristen Avatar:

Dances With Elves (3D)</description>
		<content:encoded><![CDATA[<p>SPOILERS AHEAD</p>
<p>I too cringed at &#8220;unobtainium,&#8221; and in a faint echo of Bill, I remarked to my mom on the walk to the car, &#8220;They may as well have called it Kryptonite.&#8221; That and the occasional line of hackneyed cartoon dialogue (&#8220;Noooooo&#8230;!&#8221;, &#8220;Git it done,&#8221; etc.) were my second and third biggest problems with the film, and when they occurred it temporarily severed my suspension of disbelief, snapping me back to the harsh, dark, sticky-floored reality of Majestic Ten Cinemas.</p>
<p>My biggest problem was the glaring plot hole of the humans&#8217; tactics. I mean, really: _Aliens_ was the film that put &#8220;I say we nuke the site from orbit. It&#8217;s the only way to be sure&#8221; into the popular lexicon; has Cameron ever seen that film? Even assuming the forward base had no big armaments, the thrilling conclusion has bought the Blueskins six years, maybe twelve at the most, before the Company sends a fleet in to annihilate the entire ecosystem from 100,000 klicks away and build a radiation-shielded mining base in the glowing crater. I would have appreciated a bit of throwaway closing dialogue about how the Gaiacomputer is working on evolving an orbital defense grid or something along those lines.</p>
<p>I really liked the technological continuity. Many sci-fi films will take a mechanism like Avatar&#8217;s mind control and then plaster on some implausible side effects to make it more consistent with the author&#8217;s mystical idea of astral projection. (Cf. The Matrix: &#8220;The body cannot live without the mind.&#8221; Uh, yeah, what medical school did *you* go to, Dr. Morpheus? Ever heard of a vegetative state? Well, just watch the Matrix sequels and you&#8217;ll enter one.) But Cameron actually took the stipulated technical details and used them to emphasize a dramatic moment (the bulldozer scene; the colonel grabbing a deep breath or a mask before combat) rather than treating them as an inconvenience. And evolutionary implausibility aside, Cameron&#8217;s Gaia-As-Supercomputer conceit worked *so* much better than Lucas&#8217; Force-As-Mitochondria one.</p>
<p>Along those lines there was a missed scifi opportunity with the tech of the Gaia version of mind transfer: after someone&#8217;s consciousness is copied, why would the original body die? Or rather, why wouldn&#8217;t it stay alive? Maybe just for long enough to see the New Blue You wake up and stride away, leaving you behind with a dwindling air supply and gimp legs&#8230;</p>
<p>Oh, and just in case nobody else has made this joke, let me rechristen Avatar:</p>
<p>Dances With Elves (3D)</p>
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	<item>
		<title>By: G C</title>
		<link>http://candleboy.com/2009/12/19/avatar-in-black-and-white/comment-page-1/#comment-1804</link>
		<dc:creator>G C</dc:creator>
		<pubDate>Mon, 21 Dec 2009 20:43:22 +0000</pubDate>
		<guid isPermaLink="false">http://candleboy.com/?p=403#comment-1804</guid>
		<description>I argue in &lt;a href=&quot;http://gerrycanavan.wordpress.com/2009/12/21/avatar-and-the-war-of-genres/&quot; rel=&quot;nofollow&quot;&gt;my review&lt;/a&gt; that the sheer impossibility of an evolutionary explanation is part and parcel of the &quot;war of genres&quot; that structures the film...</description>
		<content:encoded><![CDATA[<p>I argue in <a href="http://gerrycanavan.wordpress.com/2009/12/21/avatar-and-the-war-of-genres/" rel="nofollow">my review</a> that the sheer impossibility of an evolutionary explanation is part and parcel of the &#8220;war of genres&#8221; that structures the film&#8230;</p>
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		<title>By: billsimmon</title>
		<link>http://candleboy.com/2009/12/19/avatar-in-black-and-white/comment-page-1/#comment-1803</link>
		<dc:creator>billsimmon</dc:creator>
		<pubDate>Mon, 21 Dec 2009 16:33:23 +0000</pubDate>
		<guid isPermaLink="false">http://candleboy.com/?p=403#comment-1803</guid>
		<description>er, no. Neither are some suspicious evolutionary processes explained. But given the density of the information that *is* there, I figure these oversights are somewhere on the cutting room floor.</description>
		<content:encoded><![CDATA[<p>er, no. Neither are some suspicious evolutionary processes explained. But given the density of the information that *is* there, I figure these oversights are somewhere on the cutting room floor.</p>
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		<title>By: JIMO</title>
		<link>http://candleboy.com/2009/12/19/avatar-in-black-and-white/comment-page-1/#comment-1800</link>
		<dc:creator>JIMO</dc:creator>
		<pubDate>Mon, 21 Dec 2009 05:26:57 +0000</pubDate>
		<guid isPermaLink="false">http://candleboy.com/?p=403#comment-1800</guid>
		<description>Haven&#039;t seen it yet.  Did any of that hidden, voluminous exposition explain why mountainous chunks of jungle and rock can float in the air on Pandora?</description>
		<content:encoded><![CDATA[<p>Haven&#8217;t seen it yet.  Did any of that hidden, voluminous exposition explain why mountainous chunks of jungle and rock can float in the air on Pandora?</p>
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